Friday, May 10, 2019

USHA AND CHITHRALEKHA

Vana was the king of Daityas, a class of demons. Because of his earnest prayers and tapasya he had won a boon from Lord Shiva that he would remain invincible to all, both on heaven and earth. What’s more, Lord Shiva promised to protect Vana himself, should the need ever arise. Totally secure and sure of his safety, Vana gradually grew wild and started misusing his powers to trouble others.

Everyone knew about the boon Lord Shiva had granted him. Some were wary of him and tried to avoid him since it was impossible to conquer him. The others accepted his supremacy. So Vana was left with no one to fight with. He soon began to feel that life was flat and dull since there was no one left to conquer.

Vana had a beautiful daughter named Usha. Her great friend and constant companion was Chitralekha, the daughter of her father’s minister. Chitralekha was a very talented artist and could draw anyone’s portrait most accurately. As Usha grew up she began to wonder who her husband would be. She did not like any of the Daitya princes or her father’s young friends.

Then one night something strange happened, something that changed Usha’s life for ever. She dreamed of a wonderfully handsome prince who sat beside her and smiled at her, looking deep into her eyes. Usha fell in love with him instantly and woke up to find that it was only a dream. But something deep within her told her that this dream meant something significant and that such a prince must exist somewhere.

Usha was no longer her old self. Her love for the dream prince was so real and so all pervasive that she could think of nothing and no one else. She went around in a kind of trance, longing for him and missing him with all her heart. Her friends teased her about it. More so, when they realized that she had no idea who he was and had merely seen him in her dream.

Usha asked Chithralekha to draw the man who she dreamt. Chitralekha got busy from the very next day, drawing portraits of one king after another. At night she would take the entire lot to Usha. Usha looked at them eagerly but turned them all down with a heavy heart. Again Chitralakha got busy drawing the next lot. Then one night, as Chitralekha took up the portraits she had been drawing all day, Usha picked up the first portrait listlessly. Chithralekha drew Lord Krishna and Anirudha, grandson of Krishna.

Saturday, April 6, 2019


ലക്ഷ്മിയുടെ മടിയിൽ തന്റെ ശിരസ്സു നിലനിർത്തി തന്റെ കാലുകൾ ദേവതയുടെ മടിയിൽ സൂക്ഷിക്കുകയാണ്. ഭഗവാൻ ബ്രഹ്മ നബിയുടെ ജന്മത്തിൽ നിന്നാണ് താമരപ്പൂവിനെ പ്രതിഷ്ഠിക്കുന്നത്. 
Anathashayanam
വിഷ്ണു ശിവൻ, ബ്രഹ്മാവ്, ഇന്ദ്രധ്വ, നാരദ, ഗരുഡൻ, അശ്വനി ദേവാസ്, അഷ്ടതികൾ, സന്താന ഗോപലം, മിക്കവാറും എല്ലാ കാലത്തും ശിവൻ വന്യജീവിതം നടത്തി. സൂര്യദേവ, ചന്ദ്ര ദേവാ തുടങ്ങിയ കഥാപാത്രങ്ങൾ ഈ ചിത്രത്തിൽ വരച്ചുകാട്ടുന്നു.

Monday, March 6, 2017

Artists, Hariharan Swastik and Dileep Swastik are the force behind “Swastik Mural Paintings” a banner that is familiar among Mural artists and adorers in Kerala and outside the state for the last 16 years. The two artists are well known for their novel approach towards popularizing the art form. Their works are mingled with tradition as well as renovative notions to the intricate art of thousands of years.

They try to keep the Mural tradition at all its glory and mannerism, spread its spirit and soul to the new horizon. Dileep and Hariharan are rank holders of National Diploma in Mural Painting from the Institute of Mural Painting, Guruvayur Devaswom, Kerala, India. The two artist have done many works that vary from Ezhimala naval Academy to private houses of popular personalities in Kerala and out side.

Tuesday, December 27, 2016

                                                   Thiruvarattukavu Devi Temple, Attingal.TVM.
Traditional Mural Paintings of Kerala
https://www.facebook.com/swastikmuralpaintingsGuruvayur

20,000 years of history lay behind Mural or Wall paintings around the world. It has the record of two to three thousand years of glorious existence in different parts of India starting from Rajastan. Kerala got its tradition started  between 16th & 17th century A.D. The figuratorial decorational art show magnificent graceful walls of ancient temple, Sreekovils, Gopurams and old palaces.

The  pictorial grace depicting God, Goddesses, Mythological stories, incarnation of Lord Vishnu and Siva so on. Using five natural colors (Panchavarna) like red, yellow, green, black&white(the wall itself if it is the same colour)taken from cut brick stone, yellow stone, copper sulphate, neelamari leaves, lamp black and neem glue as base for mixing. Most of the God forms have stylized body posters, facial expression and gestures like wide open eyes, elongated lips, neatly exaggerated eye brows, compared with classical theatre of Kerala.
Apart from Hindu temple, a number of Christian churches have Mural Paintings with Christian iconographic features. But all these are of in different style color ethics. The Kerala traditional paintings are one of the most attractive and colorful among Mural Paintings through out the world.